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Velazquez's rides

Written By kolimtiga on Jumat, 31 Oktober 2014 | 12.18

Jockey John Velazquez's mounts for this weekend's Breeders' Cup:

Friday

• $1-million Juvenile Turf, International Star, 15-1 morning line odds

• $1-million Dirt Mile,

Vicar's In Trouble, 12-1

• $1-million Juvenile Fillies Turf, Isabella Sings, 12-1

• $2-million Distaff,

Unbridled Forever, 20-1

Saturday

• $2-million Juvenile Fillies,

Angela Renee, 3-1

• $2-million Filly & Mare Turf,

Stephanie's Kitten, 3-1

• $1-million Filly & Mare Sprint, Thank You Marylou, 20-1

• $1-million Turf Sprint,

Undrafted, 8-1

• $2-million Juvenile, Carpe Diem, 4-1

• $3-million Turf, Main Sequence, 6-1

• $1.5-million Sprint, Fast Anna, 12-1

• $2-million Mile, Grand Arch, 20—1

• $5-million Classic, Cigar Street, 12-1

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Velazquez's rides

Jockey John Velazquez's mounts for this weekend's Breeders' Cup:

Friday

• $1-million Juvenile Turf, International Star, 15-1 morning line odds

• $1-million Dirt Mile,

Vicar's In Trouble, 12-1

• $1-million Juvenile Fillies Turf, Isabella Sings, 12-1

• $2-million Distaff,

Unbridled Forever, 20-1

Saturday

• $2-million Juvenile Fillies,

Angela Renee, 3-1

• $2-million Filly & Mare Turf,

Stephanie's Kitten, 3-1

• $1-million Filly & Mare Sprint, Thank You Marylou, 20-1

• $1-million Turf Sprint,

Undrafted, 8-1

• $2-million Juvenile, Carpe Diem, 4-1

• $3-million Turf, Main Sequence, 6-1

• $1.5-million Sprint, Fast Anna, 12-1

• $2-million Mile, Grand Arch, 20—1

• $5-million Classic, Cigar Street, 12-1

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Lapses doom Ducks in 2-0 loss to St. Louis Blues

— What seemed like a perfect set-up was, except it was for the St. Louis Blues, not the Ducks.

In a flat display fraught with uncharacteristic lapses, the Ducks lost, 2-0, Thursday in a game that going in appeared to be the least challenging for the Ducks on a four-game trip against returning Western Conference playoff teams.

Before the game, Blues Coach Ken Hitchcock reeled off a list of injuries: centers David Backes (concussion), Paul Stastny (lingering shoulder pain), Joakim Lindstrom (sick) and forward T.J. Oshie (concussion) were all out.

Injury losses such as that on a team that had been beat four straight times by the Ducks, including a shutout at Honda Center 11 days earlier, might have been insurmountable.

"Teams that are down their best players, they dig deep," Ducks Coach Bruce Boudreau said. "I knew they were going to be very good."

Boudreau sounded those same warning alarms to his team earlier Thursday.

"Half the problem is when you point it out, it gets everyone talking about it instead of just going out and playing," Ducks center Ryan Getzlaf said.

"We were standing around watching. You can make mistakes on the ice, but not moving our legs, not [thinking], that's our fault."

The Blues (5-3-1) got it going when forward Alexander Steen screened Ducks goalie John Gibson and deflected a shot by defenseman Carl Gunnarsson to the net just four minutes 29 seconds into the game.

Ducks defenseman Cam Fowler flubbed a pass that St. Louis center Maxim Lapierre intercepted and scooted to forward Ryan Reaves for a 2-0 lead early in the third period.

Blues backup goalie Jake Allen took care of the rest, stopping all 24 shots he faced while the Ducks (8-3) had 13 other shots blocked, missed 11 others and committed eight giveaways.

The Ducks "didn't execute the way we need to, and I'm just as big a part of that as anyone," Fowler said. "There's no worse feeling in the world. That's the type of pass I make in my sleep. No excuse, I feel terrible."

Getzlaf and Ducks goals leader Corey Perry combined for two shots on goal, both in the third period.

"Guys were trying to be too cute.… We couldn't make the simple pass out of our zone, we were putting it on their tape," Boudreau said.

Nearly midway through the third, the Ducks had a two-man advantage for 20 seconds in which Perry had an open look and took his shot, only to see it knocked down and dribble away from the post to Allen's left.

"It's on us to be better," Perry said. "Look at the shots we had. No traffic, no second opportunities. And [St. Louis] played well, they played that dump-and-chase, that hard game the Blues play."

The Ducks' scuffling was immediate and worsened when defenseman Mark Fistric suffered an upper-body injury in the first period and didn't return.

In the second, the Ducks were restricted to four shots on goal, with Perry falling back on his head when tripped and briefly leaving to the dressing room.

"We've got to get someone else scoring goals," Boudreau said, a nod to goal-less forwards Emerson Etem, Jakob Silfverberg, Nate Thompson and Rickard Rakell.

TONIGHT

AT DALLAS STARS

When: 5:30 p.m.

On the air: Prime Ticket. Radio: AM 830.

Etc.: In a rematch of the Ducks' first-round Western Conference playoff series triumph, the Stars have added center Jason Spezza (10 assists).

lance.pugmire@latimes.com

Twitter: @latimespugmire

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Lakers are done before fourth quarter in 119-99 loss to Suns

Written By kolimtiga on Kamis, 30 Oktober 2014 | 12.18

Suns 119, Lakers 99

The Lakers fell to 0-2 on the season, losing their second game in as many nights in Phoenix to the Suns (1-0).

Phoenix jumped out to an early lead, scoring 33 points in the first quarter.  The Lakers responded with a strong second quarter with 31 points, but fell apart in the third by yielding 39 to the Suns.

The game was all but over before the fourth quarter began.

Kobe Bryant led all scorers with 31 points in 28 minutes, making 11 of 25 shots.

The only Lakers tarter close to double figures was Wesley Johnson (nine points), who saw the officials take away one away on review at the end of the third quarter.

Ed Davis contributed 14 off the bench, along with nine rebounds, two steals and two blocked shots.  Wayne Ellington, returning from a concussion that caused him to miss the first game, added 13 points on 6-of-9 shooting.  The Lakers shot 43% from the field and 30.8% from three-point range (4 of 13).

The Suns were led by Isaiah Thomas off the bench with 23 points on 9-of-11 shooting, including five makes in seven tries from three-point range.

Marcus Morris, starting for the suspended P.J. Tucker (off-season DUI), scored 21, making five three-pointers.

The Suns shot 54.9% from the field and 50% from behind the arc (16 of 32).

Eric Bledsoe was ejected in the third quarter for disagreeing with the officials. He finished with 16 points and nine assists for the Suns.

Carlos Boozer had a difficult night (eight turnovers) and Jeremy Lin struggled to contribute, scoring six points with one assist.

The Lakers played without Steve Nash (back), Nick Young (thumb), Ryan Kelly (hamstring) and rookie Julius Randle, who broke his leg in the team's season opener on Tuesday.

After a day off on Thursday, the Lakers host the Clippers (0-0) at Staples Center on Friday.  The Suns play next when hosting the San Antonio Spurs (1-0) on Friday.

Suns 98, Lakers 73 (end of third quarter)

The Lakers hit five early free throws in the third quarter to narrow their deficit to six points, which proved to be the team's highlight of the period.

The Suns went on to score at will, while the Lakers struggled to find a second scorer to complement Kobe Bryant.

Phoenix have shot 58.3% from the field and 54.2% from three-point range.  Marcus Morris leads the Suns with 21 points, making five of eight from long range.

Bryant has 31 points in 28 minutes on 11 of25 shooting, but no other Laker was in double figures.

The Lakers made 40.9% of their shots, including 3 of 9 from three-point range.

Eric Bledsoe was ejected with 30 seconds left in the quarter after picking up his second technical foul for showing his frustration after Bryant tied him up for a jump ball. Bledsoe finished with 16 points and nine assists in 26 minutes.

Suns 59, Lakers 50 (halftime)

The Lakers look much improved in the second quarter.

Wayne Ellington, who struggled terribly to hit shots through the preseason, hit three jump shots to help close the Lakers' deficit to six points.

Kobe Bryant returned from the bench, where he sat icing a sore shoulder, to push the Lakers even closer but the team stalled after Bryant's jumper made it 43-39 with 6 1/2 minutes left.

Eric Bledsoe scored seven straight to push the Suns' lead back to double digits -- the Lakers finished the half down nine.

Bryant led all scorers with 19 points in 16 minutes, shooting 7 of 15 from the field.

Ed Davis contributed nine points and five rebounds off the bench.

Isaiah Thomas scored 13 for the Suns, missing one shot in six attempts.

The Lakers shot 41.7% from the field in the half.  The Suns also scored easily, shooting 52.5% from the field and 52.9% from the three-point line.

Suns 33, Lakers 19 (end of first quarter)

The Lakers' offense was anemic in the first quarter against the Phoenix Suns.

The team managed only 15 points on 28.6% shooting (6 of 21) from the field.

Kobe Bryant scored seven points while Jeremy Lin contributed four.

The Suns shot 48.1% from the field and 46.2% from long range, led by Marcus Morris with nine points.  Morris made a trio of three-pointers in five attempts.

Guard Isaiah Thomas had eight points off the bench in less than five minutes.

Wayne Ellington returned from a concussion after missing the season opener.  He didn't score in two minutes.

Pregame

The Lakers (0-1) play their second game of the season on Wednesday night, visiting the Phoenix Suns (0-0) for their home opener.

After losing rookie power forward Julius Randle to a broken leg on Tuesday in a loss to the Houston Rockets, the Lakers will need to regroup quickly against a Phoenix team that won 48 games last season.

The Lakers will play without Steve Nash (back), Nick Young (thumb), Ryan Kelly (hamstring) and Randle.  Wayne Ellington is questionable (concussion).

For a more in-depth breakdown, check out Preview: Lakers vs. Phoenix Suns.

Email Eric Pincus at eric.pincus@gmail.com and follow him on Twitter @EricPincus.

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Lakers are done before fourth quarter in 119-99 loss to Suns

Suns 119, Lakers 99

The Lakers fell to 0-2 on the season, losing their second game in as many nights in Phoenix to the Suns (1-0).

Phoenix jumped out to an early lead, scoring 33 points in the first quarter.  The Lakers responded with a strong second quarter with 31 points, but fell apart in the third by yielding 39 to the Suns.

The game was all but over before the fourth quarter began.

Kobe Bryant led all scorers with 31 points in 28 minutes, making 11 of 25 shots.

The only Lakers tarter close to double figures was Wesley Johnson (nine points), who saw the officials take away one away on review at the end of the third quarter.

Ed Davis contributed 14 off the bench, along with nine rebounds, two steals and two blocked shots.  Wayne Ellington, returning from a concussion that caused him to miss the first game, added 13 points on 6-of-9 shooting.  The Lakers shot 43% from the field and 30.8% from three-point range (4 of 13).

The Suns were led by Isaiah Thomas off the bench with 23 points on 9-of-11 shooting, including five makes in seven tries from three-point range.

Marcus Morris, starting for the suspended P.J. Tucker (off-season DUI), scored 21, making five three-pointers.

The Suns shot 54.9% from the field and 50% from behind the arc (16 of 32).

Eric Bledsoe was ejected in the third quarter for disagreeing with the officials. He finished with 16 points and nine assists for the Suns.

Carlos Boozer had a difficult night (eight turnovers) and Jeremy Lin struggled to contribute, scoring six points with one assist.

The Lakers played without Steve Nash (back), Nick Young (thumb), Ryan Kelly (hamstring) and rookie Julius Randle, who broke his leg in the team's season opener on Tuesday.

After a day off on Thursday, the Lakers host the Clippers (0-0) at Staples Center on Friday.  The Suns play next when hosting the San Antonio Spurs (1-0) on Friday.

Suns 98, Lakers 73 (end of third quarter)

The Lakers hit five early free throws in the third quarter to narrow their deficit to six points, which proved to be the team's highlight of the period.

The Suns went on to score at will, while the Lakers struggled to find a second scorer to complement Kobe Bryant.

Phoenix have shot 58.3% from the field and 54.2% from three-point range.  Marcus Morris leads the Suns with 21 points, making five of eight from long range.

Bryant has 31 points in 28 minutes on 11 of25 shooting, but no other Laker was in double figures.

The Lakers made 40.9% of their shots, including 3 of 9 from three-point range.

Eric Bledsoe was ejected with 30 seconds left in the quarter after picking up his second technical foul for showing his frustration after Bryant tied him up for a jump ball. Bledsoe finished with 16 points and nine assists in 26 minutes.

Suns 59, Lakers 50 (halftime)

The Lakers look much improved in the second quarter.

Wayne Ellington, who struggled terribly to hit shots through the preseason, hit three jump shots to help close the Lakers' deficit to six points.

Kobe Bryant returned from the bench, where he sat icing a sore shoulder, to push the Lakers even closer but the team stalled after Bryant's jumper made it 43-39 with 6 1/2 minutes left.

Eric Bledsoe scored seven straight to push the Suns' lead back to double digits -- the Lakers finished the half down nine.

Bryant led all scorers with 19 points in 16 minutes, shooting 7 of 15 from the field.

Ed Davis contributed nine points and five rebounds off the bench.

Isaiah Thomas scored 13 for the Suns, missing one shot in six attempts.

The Lakers shot 41.7% from the field in the half.  The Suns also scored easily, shooting 52.5% from the field and 52.9% from the three-point line.

Suns 33, Lakers 19 (end of first quarter)

The Lakers' offense was anemic in the first quarter against the Phoenix Suns.

The team managed only 15 points on 28.6% shooting (6 of 21) from the field.

Kobe Bryant scored seven points while Jeremy Lin contributed four.

The Suns shot 48.1% from the field and 46.2% from long range, led by Marcus Morris with nine points.  Morris made a trio of three-pointers in five attempts.

Guard Isaiah Thomas had eight points off the bench in less than five minutes.

Wayne Ellington returned from a concussion after missing the season opener.  He didn't score in two minutes.

Pregame

The Lakers (0-1) play their second game of the season on Wednesday night, visiting the Phoenix Suns (0-0) for their home opener.

After losing rookie power forward Julius Randle to a broken leg on Tuesday in a loss to the Houston Rockets, the Lakers will need to regroup quickly against a Phoenix team that won 48 games last season.

The Lakers will play without Steve Nash (back), Nick Young (thumb), Ryan Kelly (hamstring) and Randle.  Wayne Ellington is questionable (concussion).

For a more in-depth breakdown, check out Preview: Lakers vs. Phoenix Suns.

Email Eric Pincus at eric.pincus@gmail.com and follow him on Twitter @EricPincus.

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Republicans use scandal in fight for Ron Calderon's Senate seat

Even with indicted lawmaker Ronald S. Calderon unable to seek reelection, the scandal enveloping the Democratic state senator has rubbed off on the campaign to replace him.

The candidates, former Democratic Assemblyman Tony Mendoza and Republican businessman Mario Guerra, both vow to tackle Sacramento corruption. At the same time, supporters of each have accused the other candidate of committing ethical transgressions of his own.

Democrats enjoy a big advantage in voter registration in the district, located mostly in eastern Los Angeles County, but Republicans see recent scandals involving Calderon and three other Democratic state senators as an opportunity for their candidate to beat the odds and take the seat.

Republican donor Charles Munger Jr. has spent $539,000 independently on ads, mailers and other attacks on Mendoza, while the Republican Party and political action committees have spent $242,000 to support Guerra.

Election handicapper Allan Hoffenblum says the amount of late Republican money is an indication that GOP leaders see a potential win.

"With very low turnout [possible] and the Republican himself being a Latino, they are looking for an upset," said Hoffenblum, editor of the California Target Book, a nonpartisan election guide.

Calderon, who is prevented by term limits from running for reelection, has been accused by federal authorities of providing official favors to a medical firm owner and an undercover FBI agent posing as a film executive in exchange for bribes. He has pleaded not guilty.

The 32nd Senate District's voters are 48% Democrat and 25% Republican, but Guerra surprised many by finishing first in the primary over four Democrats after campaigning on the corruption issue.

Guerra, a 55-year-old member of the Downey City Council, said ethics matters continue to resonate with voters as he and Mendoza do battle.

"This district is tired of the past, and they want a change," Guerra said. "It's sad that the Senate has a higher arrest record, percentage-wise, than the state of California."

Mendoza, a 43-year-old teacher who lives in Artesia, has highlighted his attempts to push through bills to toughen conflict-of-interest rules in the Legislature.

"Voters are sick and tired of politicians who violate the public trust," Mendoza said.

The newly drawn district includes the cities of Bellflower, Buena Park, Cerritos, Commerce, Hawaiian Gardens, La Habra Heights, La Mirada, Lakewood, Pico Rivera, Santa Fe Springs and Whittier.

To counter the flood of money from Munger's independent campaign, Spirit of Democracy California, the state Democratic Party recently wrote a check for $43,000 to Mendoza's operation, and Senate leader Kevin de León appeared with Mendoza in Norwalk on Saturday.

Guerra, who heads an insurance brokerage firm, separately has spent $527,000 for the year as of Oct. 18, compared with the $973,000 spent by Mendoza.

Television ads by the Munger group show pictures of Mendoza and Calderon side by side and assert that the two are alike. The ads and mailers cite Mendoza's acceptance of $27,000 in gifts, including travel expenses, from special interests, which is a common and legal practice by lawmakers.

The ads also say that Mendoza is under investigation by the state Fair Political Practices Commission for political money laundering.

An FPPC spokesman confirmed that the agency has an open investigation into a citizen complaint filed in 2012 by a political consultant with ties to the Calderon family.

The complaint accused Mendoza of laundering campaign funds from a group tied to the Latino Legislative Caucus, which he formerly headed, through other channels to the 2012 campaign of Assembly candidate Rudy Bermudez.

Mendoza countered in a mailer that the charges were false and were retaliation by Calderon and his brother, former Assemblyman Tom Calderon.

"Two years ago the now indicted politicians Ron and Tom Calderon were upset with Tony Mendoza because he opposed their political empire, worked against their campaigns for office and authored legislation to clean up corruption," the mailer says.

Guerra, in turn, has denounced an anonymous blog that reportedly has ties to supporters of Mendoza. The Downey WatchDog blog said Guerra accepted thousands of dollars in stipends for serving on the City Council and spent city funds on a sister-city trip he and his wife took to Ireland.

Guerra said he donates the $700 monthly stipend he received for serving on the council to charity and that he personally covered his wife's expenses for the city trip to Ireland.

A Mendoza spokesman said his candidate has nothing to do with the blog.

On other issues, Guerra wants to reduce "over-regulation" and taxes that he says are too high in California. He opposes the planned high-speed rail project, while Mendoza supports the plan.

Mendoza's priorities include making sure public schools get adequate and reliable school funding, he said.

Experience has also been an issue.

Mendoza has taught elementary school in East Los Angeles for more than a decade and served as a board member for United Teachers Los Angeles and as a representative with the California Teachers Assn.

Mendoza cites his six years in the Legislature, "where I worked to protect consumers from predatory lending, passed legislation to reduce gang violence and addressed the epidemic of childhood obesity."

Guerra, who was brought to the U.S. from Cuba when he was 6, is president and co-founder of Scanlon-Guerra-Burke Insurance Brokers. He said that as a businessman he understands what it takes to expand the workforce.

"I'm the only person in this race who has created jobs," he said.

patrick.mcgreevy@latimes.com
Twitter: @mcgreevy99

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Bullet train just a blur in California governor's race

Written By kolimtiga on Selasa, 28 Oktober 2014 | 12.18

At $68 billion, California's bullet train is the nation's largest infrastructure project and arguably Gov. Jerry Brown's biggest initiative. Even so, it received just a few words earlier this year in his State of the State address. It's also playing little more than a bit role in the gubernatorial race — relegated to periodic sound bites, sharp attacks and glossy promises.

Neither Brown nor his Republican opponent, Neel Kashkari, has delved publicly into the details of high-speed rail, including the complex construction plan, looming technical challenges or possible funding shortfalls.

That lack of substantial dialogue reflects a broader inattention that some political analysts and engineering experts warn could have long-term consequences.

"From a purely tactical standpoint, it might be a smart approach," said USC political expert Dan Schnur. "If [Brown] doesn't shine a light on it, it doesn't draw as much attention if it runs into trouble."

The motivation to avoid focusing on what could go wrong is understandable, particularly for proponents of the project, said Robert Bea, a UC Berkeley civil engineering professor and a pioneer in the field of risk analysis. "We want to keep everything looking good and smelling nice."

But failing to engage in a robust public airing of emerging technical and financial issues on huge engineering projects can compound problems, or lead to unwelcome surprises if they become more difficult and costly to manage, Bea said.

The bullet train is central to Brown's vision for California's future. He compares it to the construction of the Golden Gate Bridge and the State Water Project, although in sheer scale and cost, the high-speed rail line is bigger than those historic public works investments.

"I want you to think about those who built the cathedrals of Europe," he told a crowd of supporters, including a dozen union members in hard hats, when he signed a $6-billion appropriation for the project in 2012. "First it was the son and then the grandson. They had a vision. It wasn't about … self-gratification. It was about sacrifice."

Brown declined repeated requests to discuss why high-speed rail has not been an issue during the campaign.

"No major infrastructure projects in the history of mankind — from the Panama Canal to the Golden Gate Bridge — have been built without challenges, risks and opposition," his office said in a statement. "The high-speed rail project is no different, but as Californians we're up for it."

The governor's office also declined to address a number of uncertainties that have arisen around the project this year. Those include an estimate of increased costs by a state contractor, an opinion by the chairman of a state watchdog panel that the system would operate slower than expected, and more delays in the start of heavy construction, which officials initially had planned for 2012.

The rail authority has discounted the importance of those issues, saying the project is proceeding apace and will meet required completion targets.

The potential problems with the project have not been a focal point of Kashkari's campaign either, although he has labeled the high-speed rail line a "crazy train." In an interview, he said he hadn't researched the project deeply and wasn't familiar with many of the planning documents for the system.

However, Kashkari did say that his experiences as an aerospace engineer, a financier for Silicon Valley technology companies and an assistant Treasury secretary during the financial crisis tell him that the promised Los Angeles-to-San Francisco, 220-mph rail line will take longer than planned to complete and cost more than the $68-billion price tag.

"This is a classic approach to government projects," Kashkari said. "Just get it started and nobody can stop it."

Brown "has taken political ownership but he hasn't taken management ownership," said the Republican, who is trailing by a wide margin in the polls. "If this is his signature project, it should be run out of the governor's office."

Officials in charge of the project continue to say that it will be completed on budget and will meet a 2017 deadline for use of federal construction grants on the initial section of track.

"The execution of the project is going well," said Dan Richard, who heads the state High Speed Rail Authority board. "We have the [management] team in place that gives me the most confidence. We take it one day at a time."

Brown has presided over a series of key political and legal victories related to high-speed rail over the last two years, including securing the $6-billion appropriation in 2012, winning a commitment from the Legislature to allocate 25% of the state's revenue from future greenhouse gas fees to the project and repelling a court challenge to the validity of spending plans.

But there are a number of ongoing challenges that could affect costs and schedules.

Major construction was supposed to start at the end of 2012, but there have been a number of delays. One reason is that the rail authority owns only a fraction of the parcels it needs for the first 29 miles of construction.

URS, a San Francisco-based engineering firm hired by the authority, reported earlier this year that the cost of the Fresno-to-Bakersfield segment would cost about $1 billion more than previously estimated. The rail authority's Richard said the company's estimate, which is the subject of a contract dispute, was erroneous and that the budget for the entire project remained at $68 billion

Some transportation analysts give the project good marks, particularly in light of the difficulties it faces. "Mega-projects are never easy," said Will Kempton, executive director of the trade group Transportation California. "It is early in the game, but to my observation the authority is making a lot of good moves."

But others see Brown's leadership of the project as problematic.

"Gov. Brown thinks he can leave this project to the technocrats and he can take care of the political issues," said Art Bauer, a longtime transportation expert who served as a state Senate advisor on the project for six years before he retired. "He doesn't understand that leaving this project to the technocrats will cause political problems."

Sen. Mark DeSaulnier (D-Concord), who chairs the Senate transportation and housing committee, said closer attention needs to be paid to the project by all branches of state government.

"It is in their best interest," he said. "There wasn't enough oversight on the Bay Bridge, and you see what we got," he said, referring to the cost increases and technical problems on the $6.4-billion San Francisco project.


12.18 | 0 komentar | Read More

Bullet train just a blur in California governor's race

At $68 billion, California's bullet train is the nation's largest infrastructure project and arguably Gov. Jerry Brown's biggest initiative. Even so, it received just a few words earlier this year in his State of the State address. It's also playing little more than a bit role in the gubernatorial race — relegated to periodic sound bites, sharp attacks and glossy promises.

Neither Brown nor his Republican opponent, Neel Kashkari, has delved publicly into the details of high-speed rail, including the complex construction plan, looming technical challenges or possible funding shortfalls.

That lack of substantial dialogue reflects a broader inattention that some political analysts and engineering experts warn could have long-term consequences.

"From a purely tactical standpoint, it might be a smart approach," said USC political expert Dan Schnur. "If [Brown] doesn't shine a light on it, it doesn't draw as much attention if it runs into trouble."

The motivation to avoid focusing on what could go wrong is understandable, particularly for proponents of the project, said Robert Bea, a UC Berkeley civil engineering professor and a pioneer in the field of risk analysis. "We want to keep everything looking good and smelling nice."

But failing to engage in a robust public airing of emerging technical and financial issues on huge engineering projects can compound problems, or lead to unwelcome surprises if they become more difficult and costly to manage, Bea said.

The bullet train is central to Brown's vision for California's future. He compares it to the construction of the Golden Gate Bridge and the State Water Project, although in sheer scale and cost, the high-speed rail line is bigger than those historic public works investments.

"I want you to think about those who built the cathedrals of Europe," he told a crowd of supporters, including a dozen union members in hard hats, when he signed a $6-billion appropriation for the project in 2012. "First it was the son and then the grandson. They had a vision. It wasn't about … self-gratification. It was about sacrifice."

Brown declined repeated requests to discuss why high-speed rail has not been an issue during the campaign.

"No major infrastructure projects in the history of mankind — from the Panama Canal to the Golden Gate Bridge — have been built without challenges, risks and opposition," his office said in a statement. "The high-speed rail project is no different, but as Californians we're up for it."

The governor's office also declined to address a number of uncertainties that have arisen around the project this year. Those include an estimate of increased costs by a state contractor, an opinion by the chairman of a state watchdog panel that the system would operate slower than expected, and more delays in the start of heavy construction, which officials initially had planned for 2012.

The rail authority has discounted the importance of those issues, saying the project is proceeding apace and will meet required completion targets.

The potential problems with the project have not been a focal point of Kashkari's campaign either, although he has labeled the high-speed rail line a "crazy train." In an interview, he said he hadn't researched the project deeply and wasn't familiar with many of the planning documents for the system.

However, Kashkari did say that his experiences as an aerospace engineer, a financier for Silicon Valley technology companies and an assistant Treasury secretary during the financial crisis tell him that the promised Los Angeles-to-San Francisco, 220-mph rail line will take longer than planned to complete and cost more than the $68-billion price tag.

"This is a classic approach to government projects," Kashkari said. "Just get it started and nobody can stop it."

Brown "has taken political ownership but he hasn't taken management ownership," said the Republican, who is trailing by a wide margin in the polls. "If this is his signature project, it should be run out of the governor's office."

Officials in charge of the project continue to say that it will be completed on budget and will meet a 2017 deadline for use of federal construction grants on the initial section of track.

"The execution of the project is going well," said Dan Richard, who heads the state High Speed Rail Authority board. "We have the [management] team in place that gives me the most confidence. We take it one day at a time."

Brown has presided over a series of key political and legal victories related to high-speed rail over the last two years, including securing the $6-billion appropriation in 2012, winning a commitment from the Legislature to allocate 25% of the state's revenue from future greenhouse gas fees to the project and repelling a court challenge to the validity of spending plans.

But there are a number of ongoing challenges that could affect costs and schedules.

Major construction was supposed to start at the end of 2012, but there have been a number of delays. One reason is that the rail authority owns only a fraction of the parcels it needs for the first 29 miles of construction.

URS, a San Francisco-based engineering firm hired by the authority, reported earlier this year that the cost of the Fresno-to-Bakersfield segment would cost about $1 billion more than previously estimated. The rail authority's Richard said the company's estimate, which is the subject of a contract dispute, was erroneous and that the budget for the entire project remained at $68 billion

Some transportation analysts give the project good marks, particularly in light of the difficulties it faces. "Mega-projects are never easy," said Will Kempton, executive director of the trade group Transportation California. "It is early in the game, but to my observation the authority is making a lot of good moves."

But others see Brown's leadership of the project as problematic.

"Gov. Brown thinks he can leave this project to the technocrats and he can take care of the political issues," said Art Bauer, a longtime transportation expert who served as a state Senate advisor on the project for six years before he retired. "He doesn't understand that leaving this project to the technocrats will cause political problems."

Sen. Mark DeSaulnier (D-Concord), who chairs the Senate transportation and housing committee, said closer attention needs to be paid to the project by all branches of state government.

"It is in their best interest," he said. "There wasn't enough oversight on the Bay Bridge, and you see what we got," he said, referring to the cost increases and technical problems on the $6.4-billion San Francisco project.


12.18 | 0 komentar | Read More

Piano and koto meet in 'Strings and Serpents'

"Strings and Serpents," which was presented at REDCAT Sunday evening, combines an intrepid Canadian and French jazz piano duo and an adventurous Japanese koto duo with everyday video animation and exotic Aboriginal myth and maybe a few other things I missed. Cultures combined and cultures collided, but mostly cultures were content to accomodate one another.

A value of art, and the one so overlooked by diplomats, is its ability to serve as a petri dish for cultural experiment, for finding common purpose and what works and what doesn't without anyone getting hurt. No one got hurt by "Strings and Serpents," which was commissioned by CalArts and is currently touring the country.

There was some messing with the piano strings, "preparing" them by putting objects on or between the strings to percussively alter the sound. That became the most useful point of sonic similarity between piano and the plucked koto.

The big picture, though, was ambiguous. Pianists Andy Milne and Benoit Delbecq and koto players Tsugumi Yamamoto and Ai Kajigano were eager to explore intersections between jazz improvisation and traditional Japanese music.

The role of Japanese video artist Saki Murotani, now based in Canada, was to bring in the notion of the rainbow serpent, the enormous Australian Aboriginal deity that created the rivers, oceans and mountains when it tread the empty Earth, and from which also sprung Earth's species.

The musicians worked through a number of numbers, none named or mentioned in a worthless, short program note. Cultures relate best when there is information and knowledge. For this endeavor, it was up to the audience to figure out what was happening.

There were wonderful moments, but they were only moments and mostly they had to do with the instrumental textures. The typical approach began with a rhythmic pattern or an atmospheric sound, well suited to both piano and koto, then added melody or smooth improvisation or lush harmonies.

The West seemed to dominate the East. But if the men at their keyboards had more sway than the ladies at their kotos, the main reason was because the piano is less adaptable. Pitches on the keyboard are fixed, whereas the koto can play in non-Western scales that to us are microtonal.

But the koto players were sly. Sometimes when playing in unison with the pianos, a koto might bend the pitch minutely in such a way as to make the piano seem to be doing so as well.

The real problem, though, was a lack of experimentation. Rather than cultures clashing in an effort to make new discoveries or produce hybrids, the quartet stuck with conventional models. Everything felt on firm ground. Rhythmic groves were insistent. Improvisation was tame. Options remained limited.

But the sound world, itself, proved ear-catching. The pianists were adept at changing the piano preparations on the fly, which I've never seen done so fluidly. Those preparations mean some notes sound normal and others become pitchless pings and thuds. Improvising around them creates harmonic and melodic potholes.

Milne, a fluid improviser, was impressive at skirting interruption. Delbecq, more a master of unusual effects, dove into the emptiness, leaving room for koto sounds to fill in for him. Meanwhile, the koto players pretty much did their thing, vaguely Asian and vaguely not.

The Rainbow Serpent never really reared its imposing head. Murotani's colorful CGI graphics were a New Age-y representation of creation. Earth-like circles exploded into chemical elements, abstract graphics and finally a circular keyboard that became a kind of musical space station in the cosmos.

The challenge of the two duos together, now that they have found a multicultural middle ground in which to work, is to find an avenue for their original voices to sing. At this early stage, the strings still imprison the serpents.

Follow me on Twitter: @markswed

Copyright © 2014, Los Angeles Times
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A fitting ending to 'Boardwalk Empire'

Written By kolimtiga on Senin, 27 Oktober 2014 | 12.18

"Boardwalk Empire," HBO's Prohibition-era gangster epic about crooked politician turned ruthless bootlegger Enoch "Nucky" Thompson, wrapped up its fifth and final season Sunday. Unlike on "The Sopranos," the screen did not go black at the final moment.

Instead, the final episode brought a decisive conclusion to the story of Thompson (Steve Buscemi), tying up loose ends and incorporating moments of bittersweetness and heartbreak, particularly between Thompson and the key women in his life — wife Margaret (Kelly Macdonald) and former showgirl Gillian Darmody (Gretchen Mol).

Set in 1920s Atlantic City and featuring depictions of crime figures including Al Capone and Lucky Luciano, "Boardwalk Empire" ranked among prime time's elite dramas, propelled by an executive producing team that included filmmaker Martin Scorsese and actor Mark Wahlberg. The series was created and run by Terence Winter, a key member of the creative team behind "The Sopranos," who wrote many of that drama's most notable episodes.

On the eve of its conclusion, Winter reflected on the legacy and highlights of "Boardwalk Empire." [Spoiler alert: Readers who have not watched the final episode and do not want to know the twists should stop reading.]

The silly question first: Was there a part of you that was tempted to go dark at the final moment?

[Laughs] I think I remember reading that kind of ending had been done already, so I didn't want to go down that road.

Did the finale turn out the way you had planned, or were there changes?

We had gone over different versions on how it might end. We were also considering keeping Nucky alive, which in some ways may have been a bigger punishment than killing him. He would have lived out his life in obscurity after giving up everything he had. But the way we chose to end was really the most powerful version of the story for us. We pretty much settled on that a year and a half ago.

There's a final dance between Nucky and Margaret, where it's clear there's still a bit of a spark, despite all the bad stuff that has happened between them.

We were really glad to bring that story full circle. That was the pivotal romantic relationship of Nucky's adult life, the closest he'll ever come to having a real family of his own. It was very bittersweet, the two of them flirting with the idea of having a future together. The scene was so beautifully directed by Tim Van Patten. It was sad and emotional but in some ways satisfying and fitting that they both know in their hearts that too much water had gone under the bridge for them to have a future. But it was nice for them to have that last dance.

That was actually the last scene we shot in the series, which was also very fitting, very emotional. The whole crew was standing around watching. It started with Nucky and Margaret, and it ended there too. It was very satisfying.

Gillian also did some horrible things, but when we see what happens to her, it's pretty wrenching.

What a tragedy. Nucky's giving the young Gillian to the Commodore sends him into the downward spiral that destroys his life and hers and two more generations of her family. It wasn't evident in Season 2 that Gillian was the focus of Nucky's emotional life. It was so powerful to see that depicted in flashbacks instead of just being talked about.

There's a scene where Nucky is walking along the boardwalk when he's approached by a pretty woman wearing an odd costume. She tells him she's from the future. She summons him into a booth, where he sees a small TV screen with an image of the woman singing "Twinkle Twinkle Little Star."

That shows how the world was changing around Nucky and moving on without him. He is very much a man of the 19th century. The boardwalk was changing around him, and he didn't even recognize it anymore; 1931 was the year of Flash Gordon and Art Deco, and there was no more cutting-edge technology than television. That was a perfect device to mystify him and show him he is totally a man out of his own time.

Judging from all the historical detail and history surrounding "Boardwalk Empire," it was clear you always wanted the series to be more than just the story about the rise and fall of a gangster.

We had an opportunity to explore politics, the war, women's rights, race relations. There was a lot of holding up mirrors to modern society. Prohibition was really the drug business. We got to explore birth control. That was a huge story. It was a great opportunity to explore the world of today. I'm very proud of the show and everyone that worked on it. Having come off an incredible series — perhaps the most incredible series ever — and being able to replicate that experience was tremendously satisfying.

What's next for you?

I'm working on a new show for HBO which is set in the world of rock 'n' roll music in 1973. The pilot is also shot. Hopefully, before long, we'll get an official pickup and be on the air before too long.

Twitter: @GeBraxton

Copyright © 2014, Los Angeles Times
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USC offensive tackle Chad Wheeler suffers season-ending knee injury

USC left tackle Chad Wheeler sustained a season-ending right knee injury against Utah, and linebacker J.R. Tavai will be sidelined for a few weeks because of a knee sprain, Coach Steve Sarkisian said Sunday.

Wheeler, a third-year sophomore, suffered a torn anterior cruciate ligament Saturday night during the Trojans' 24-21 loss at Rice-Eccles Stadium in Salt Lake City.

The 6-foot-7, 280-pound Wheeler had started every game since last season. He was injured on the third play against Utah, but did not leave the game until after seven or eight more plays, Sarkisian said.

Coaches were unaware that Wheeler had been injured, said Sarkisian, who praised Wheeler's physical and mental toughness.

"He fought through it until he just couldn't anymore," Sarkisian said during a teleconference with reporters. "That's the biggest thing we lose without him being out there."

Senior Aundrey Walker replaced Wheeler against Utah; he will start on Saturday at Washington State.

Walker, 6-6 and 315 pounds, has started 18 games at tackle and guard.

Last season, Walker suffered a season-ending ankle injury against UCLA. He underwent surgery, was sidelined for spring practice and was slow to return and earn playing time through training camp and the first half of the season.

"I thought Aundrey did an admirable job stepping in against a really good defensive line, against a very good pass rusher in Nate Orchard," Sarkisian said. "So I think he'll continue to improve."

Scott Felix, who had a team-best nine tackles against Utah, is expected to start in place of Tavai.

Sarkisian said tailback Javorius Allen suffered a minor shoulder injury but would not be sidelined.

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

A fitting ending to 'Boardwalk Empire'

"Boardwalk Empire," HBO's Prohibition-era gangster epic about crooked politician turned ruthless bootlegger Enoch "Nucky" Thompson, wrapped up its fifth and final season Sunday. Unlike on "The Sopranos," the screen did not go black at the final moment.

Instead, the final episode brought a decisive conclusion to the story of Thompson (Steve Buscemi), tying up loose ends and incorporating moments of bittersweetness and heartbreak, particularly between Thompson and the key women in his life — wife Margaret (Kelly Macdonald) and former showgirl Gillian Darmody (Gretchen Mol).

Set in 1920s Atlantic City and featuring depictions of crime figures including Al Capone and Lucky Luciano, "Boardwalk Empire" ranked among prime time's elite dramas, propelled by an executive producing team that included filmmaker Martin Scorsese and actor Mark Wahlberg. The series was created and run by Terence Winter, a key member of the creative team behind "The Sopranos," who wrote many of that drama's most notable episodes.

On the eve of its conclusion, Winter reflected on the legacy and highlights of "Boardwalk Empire." [Spoiler alert: Readers who have not watched the final episode and do not want to know the twists should stop reading.]

The silly question first: Was there a part of you that was tempted to go dark at the final moment?

[Laughs] I think I remember reading that kind of ending had been done already, so I didn't want to go down that road.

Did the finale turn out the way you had planned, or were there changes?

We had gone over different versions on how it might end. We were also considering keeping Nucky alive, which in some ways may have been a bigger punishment than killing him. He would have lived out his life in obscurity after giving up everything he had. But the way we chose to end was really the most powerful version of the story for us. We pretty much settled on that a year and a half ago.

There's a final dance between Nucky and Margaret, where it's clear there's still a bit of a spark, despite all the bad stuff that has happened between them.

We were really glad to bring that story full circle. That was the pivotal romantic relationship of Nucky's adult life, the closest he'll ever come to having a real family of his own. It was very bittersweet, the two of them flirting with the idea of having a future together. The scene was so beautifully directed by Tim Van Patten. It was sad and emotional but in some ways satisfying and fitting that they both know in their hearts that too much water had gone under the bridge for them to have a future. But it was nice for them to have that last dance.

That was actually the last scene we shot in the series, which was also very fitting, very emotional. The whole crew was standing around watching. It started with Nucky and Margaret, and it ended there too. It was very satisfying.

Gillian also did some horrible things, but when we see what happens to her, it's pretty wrenching.

What a tragedy. Nucky's giving the young Gillian to the Commodore sends him into the downward spiral that destroys his life and hers and two more generations of her family. It wasn't evident in Season 2 that Gillian was the focus of Nucky's emotional life. It was so powerful to see that depicted in flashbacks instead of just being talked about.

There's a scene where Nucky is walking along the boardwalk when he's approached by a pretty woman wearing an odd costume. She tells him she's from the future. She summons him into a booth, where he sees a small TV screen with an image of the woman singing "Twinkle Twinkle Little Star."

That shows how the world was changing around Nucky and moving on without him. He is very much a man of the 19th century. The boardwalk was changing around him, and he didn't even recognize it anymore; 1931 was the year of Flash Gordon and Art Deco, and there was no more cutting-edge technology than television. That was a perfect device to mystify him and show him he is totally a man out of his own time.

Judging from all the historical detail and history surrounding "Boardwalk Empire," it was clear you always wanted the series to be more than just the story about the rise and fall of a gangster.

We had an opportunity to explore politics, the war, women's rights, race relations. There was a lot of holding up mirrors to modern society. Prohibition was really the drug business. We got to explore birth control. That was a huge story. It was a great opportunity to explore the world of today. I'm very proud of the show and everyone that worked on it. Having come off an incredible series — perhaps the most incredible series ever — and being able to replicate that experience was tremendously satisfying.

What's next for you?

I'm working on a new show for HBO which is set in the world of rock 'n' roll music in 1973. The pilot is also shot. Hopefully, before long, we'll get an official pickup and be on the air before too long.

Twitter: @GeBraxton

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Crossbow-wielding man shoots passerby with arrow in Pico Rivera

Written By kolimtiga on Minggu, 26 Oktober 2014 | 12.18

A 23-year-old man was walking along Hasty Avenue in Pico Rivera Friday evening with a friend when a sharp pain struck. 

He looked down to find an arrow sticking from his buttocks.

The pair turned to see a man holding a crossbow who gave them a questioning look, an Los Angeles County sheriff's official said.

The two ran away and called 911.

After a six-hour standoff with a sheriff's SWAT team, Armando Marron was taken into custody Saturday morning and booked on suspicion of assault with a deadly weapon and possession of methamphetamine, said sheriff's Lt. Alex Villanueva.

Villanueva said Marron, 48, shot at least one arrow at another group of people and struck a house around the same time that the young man was hit.

In response, sheriff's officials arrived about 11 p.m. Friday at Marron's house, which he shared with his mother and aunt in the 8500 block of Hasty Avenue. Marron's family and neighbors were evacuated, but he refused to come out, Villanueva said.

A team from the Special Enforcement Bureau and crisis negotiators were called in. About 5 a.m. Saturday, officers fired tear gas to flush him out.

His family said he had not been taking medication that he needed for a psychiatric disorder, Villanueva said.

According to sheriff's online records, Marron is being held at the Inmate Reception Center in downtown Los Angeles in lieu of $30,000 bail, and is due in court Tuesday.

"I think it's the first arrow incident in Pico Rivera in like 150 years," Villanueva said.

He said the victim suffered a deep puncture wound but is expected to recover.

For more Southern California news, follow @joemozingo.

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Suspect in shooting rampage had been deported twice, officials say

The phone rang at 1:45 a.m. Saturday, jolting Mauro Marquez and his wife from their sleep.

It was their daughter, Janelle, calling from jail in Sacramento. She had only a minute to explain that she and her husband were in serious trouble.

"Luis killed a policeman and somebody else," she told her father.

The Utah couple had just been charged in a shooting rampage that left two Northern California sheriff's deputies dead, another injured and a civilian seriously wounded.

Authorities said 34-year-old Luis Enrique Monroy Bracamonte was the shooter. He was booked on charges of murder, attempted murder and carjacking. Authorities said that his weapons included an AR-15-type assault rifle.

Monroy, who is in the country illegally, was deported to Mexico in 1997 after his arrest and conviction in Arizona for possession of narcotics for sale, according to U.S. Immigration and Customs Enforcement. He was arrested and sent back to Mexico a second time in 2001.

The agency has formally asked the Sacramento County Sheriff's Department to transfer Monroy to federal custody if he is released so that it can begin proceedings to remove him from the country again.

He was booked Saturday as Marcelo Marquez, the name that he gave police and that appeared on an identification card. But immigration officials said that was an alias.

His wife, Janelle Marquez Monroy, 38, was booked on attempted murder and carjacking charges. Authorities say she accompanied her husband for much of Friday's six-hour rampage.

Initial reports said Janelle Monroy was carrying a gun in her purse, but Sgt. Lisa Bowman, a spokeswoman for the Sacramento County Sheriff's Department, said those accounts were wrong. Investigators, however, view her as an active participant in the crimes, she said.

Both suspects were being held without bail in Sacramento County Jail.

The assaults began when Sacramento County Sheriff's Deputy Danny Oliver, who was on patrol with his partner, noticed a suspicious vehicle in the parking lot of a Motel 6 and went to check on it. Officials said Monroy fired from the car, striking Oliver, a 47-year-old father of two, in the forehead. He was later pronounced dead.

The couple fled and tried to carjack a motorist about a mile away, authorities said. When the driver, identified as Anthony Holmes, refused to turn over his keys, he was shot in the head.

The couple eventually took another stolen car to Auburn, where they were confronted by Placer County Sheriff's Det. Michael David Davis Jr. and Deputy Jeff Davis. Authorities say Luis Monroy shot both men. Jeff Davis was wounded in the arm and Michael Davis, 42, later died.

Authorities say Luis Monroy ran from the scene and was later arrested in a residence.

As far as his father-in-law knew, his name had always been Luis Monroy and he worked as a house painter. But he didn't know Monroy well.

When Monroy married Marquez's daughter about 14 years ago in Arizona, her family did not attend. Her father said that he could not support her marrying a man they had never met.

A few years later, the couple moved to Utah, Mauro Marquez said.

"They wanted to be alone," he said. "They disappeared."

Eventually, Marquez and his wife started driving from their home in Chandler, Ariz., to Utah around Christmas each year to spend a couple of days with their daughter and son-in-law at their home in West Valley, a suburb of Salt Lake.

Monroy and his wife had no children.

He was pleasant but never talked much, his father-in-law said. If there was any problem with drugs or violence involving his son-in-law, Marquez and his wife never heard. They never saw guns in the house, he said.

Monroy was born in Sinaloa, Mexico, his father-in-law said, and most of his family still lived there.

A man who identified himself as the suspect's brother told a Sacramento TV station that earlier in the week Monroy pulled a gun on him and demanded money. Hector Monroy told KXTV-TV that his brother was high on drugs and had a bag of weapons.

"He said he was in trouble," Hector Monroy told the station. "He told me not to ask any questions and just give him money."

Hector Monroy said his brother called him Friday while fleeing police.

"I asked him what he had done and he said he had killed a cop," Monroy recalled.

In Northern California on Saturday, investigators were trying to track down scores of people who witnessed some part of Friday's violence. Worried that news coverage could taint witness accounts, authorities decided not to release booking photos of the suspects, Bowman said.

Among those providing information were the suspects themselves. On Friday, just hours after the shooting ended, both spoke with detectives for hours, Bowman said.

She said the motive was still under investigation.

What drew them to Sacramento is also in question. The couple rented a room for at least one night in the Motel 6 where the rampage began, but they do not appear to have other ties to the region. Authorities said that however long they had been in Northern California, they had done nothing to attract the attention of law enforcement before Friday.

A public defender visited Luis Monroy on Saturday, but neither suspect has been assigned an attorney yet. Their first court appearance is set for Tuesday.

A large contingent of law enforcement officials escorted Davis' body from the coroner's office to a Placer County funeral home.

In Arizona, Mauro Marquez and his wife were trying to digest what happened.

Their daughter had called them Tuesday to say that she was planning on driving to Arizona for her mother's birthday and that she would arrive on Saturday.

"There's nothing we can do now," Marquez said.

alan.zarembo@latimes.com

harriet.ryan@latimes.com

Copyright © 2014, Los Angeles Times
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Suspect in shooting rampage had been deported twice, officials say

The phone rang at 1:45 a.m. Saturday, jolting Mauro Marquez and his wife from their sleep.

It was their daughter, Janelle, calling from jail in Sacramento. She had only a minute to explain that she and her husband were in serious trouble.

"Luis killed a policeman and somebody else," she told her father.

The Utah couple had just been charged in a shooting rampage that left two Northern California sheriff's deputies dead, another injured and a civilian seriously wounded.

Authorities said 34-year-old Luis Enrique Monroy Bracamonte was the shooter. He was booked on charges of murder, attempted murder and carjacking. Authorities said that his weapons included an AR-15-type assault rifle.

Monroy, who is in the country illegally, was deported to Mexico in 1997 after his arrest and conviction in Arizona for possession of narcotics for sale, according to U.S. Immigration and Customs Enforcement. He was arrested and sent back to Mexico a second time in 2001.

The agency has formally asked the Sacramento County Sheriff's Department to transfer Monroy to federal custody if he is released so that it can begin proceedings to remove him from the country again.

He was booked Saturday as Marcelo Marquez, the name that he gave police and that appeared on an identification card. But immigration officials said that was an alias.

His wife, Janelle Marquez Monroy, 38, was booked on attempted murder and carjacking charges. Authorities say she accompanied her husband for much of Friday's six-hour rampage.

Initial reports said Janelle Monroy was carrying a gun in her purse, but Sgt. Lisa Bowman, a spokeswoman for the Sacramento County Sheriff's Department, said those accounts were wrong. Investigators, however, view her as an active participant in the crimes, she said.

Both suspects were being held without bail in Sacramento County Jail.

The assaults began when Sacramento County Sheriff's Deputy Danny Oliver, who was on patrol with his partner, noticed a suspicious vehicle in the parking lot of a Motel 6 and went to check on it. Officials said Monroy fired from the car, striking Oliver, a 47-year-old father of two, in the forehead. He was later pronounced dead.

The couple fled and tried to carjack a motorist about a mile away, authorities said. When the driver, identified as Anthony Holmes, refused to turn over his keys, he was shot in the head.

The couple eventually took another stolen car to Auburn, where they were confronted by Placer County Sheriff's Det. Michael David Davis Jr. and Deputy Jeff Davis. Authorities say Luis Monroy shot both men. Jeff Davis was wounded in the arm and Michael Davis, 42, later died.

Authorities say Luis Monroy ran from the scene and was later arrested in a residence.

As far as his father-in-law knew, his name had always been Luis Monroy and he worked as a house painter. But he didn't know Monroy well.

When Monroy married Marquez's daughter about 14 years ago in Arizona, her family did not attend. Her father said that he could not support her marrying a man they had never met.

A few years later, the couple moved to Utah, Mauro Marquez said.

"They wanted to be alone," he said. "They disappeared."

Eventually, Marquez and his wife started driving from their home in Chandler, Ariz., to Utah around Christmas each year to spend a couple of days with their daughter and son-in-law at their home in West Valley, a suburb of Salt Lake.

Monroy and his wife had no children.

He was pleasant but never talked much, his father-in-law said. If there was any problem with drugs or violence involving his son-in-law, Marquez and his wife never heard. They never saw guns in the house, he said.

Monroy was born in Sinaloa, Mexico, his father-in-law said, and most of his family still lived there.

A man who identified himself as the suspect's brother told a Sacramento TV station that earlier in the week Monroy pulled a gun on him and demanded money. Hector Monroy told KXTV-TV that his brother was high on drugs and had a bag of weapons.

"He said he was in trouble," Hector Monroy told the station. "He told me not to ask any questions and just give him money."

Hector Monroy said his brother called him Friday while fleeing police.

"I asked him what he had done and he said he had killed a cop," Monroy recalled.

In Northern California on Saturday, investigators were trying to track down scores of people who witnessed some part of Friday's violence. Worried that news coverage could taint witness accounts, authorities decided not to release booking photos of the suspects, Bowman said.

Among those providing information were the suspects themselves. On Friday, just hours after the shooting ended, both spoke with detectives for hours, Bowman said.

She said the motive was still under investigation.

What drew them to Sacramento is also in question. The couple rented a room for at least one night in the Motel 6 where the rampage began, but they do not appear to have other ties to the region. Authorities said that however long they had been in Northern California, they had done nothing to attract the attention of law enforcement before Friday.

A public defender visited Luis Monroy on Saturday, but neither suspect has been assigned an attorney yet. Their first court appearance is set for Tuesday.

A large contingent of law enforcement officials escorted Davis' body from the coroner's office to a Placer County funeral home.

In Arizona, Mauro Marquez and his wife were trying to digest what happened.

Their daughter had called them Tuesday to say that she was planning on driving to Arizona for her mother's birthday and that she would arrive on Saturday.

"There's nothing we can do now," Marquez said.

alan.zarembo@latimes.com

harriet.ryan@latimes.com

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Live Nation's bid to run Greek Theatre gets parks panel's backing

Written By kolimtiga on Jumat, 24 Oktober 2014 | 12.18

The Greek Theatre could change hands after a Los Angeles city commission recommended Thursday that another company take over running the historic Griffith Park venue, the latest step in a bitter battle between entertainment titans.

The decision could ultimately pull the theater out of the hands of the Nederlander Organization, which has run the Greek for decades. Nederlander bid jointly with Staples Center and L.A. Live developer AEG to continue operating the venue, but a panel of evaluators recommended handing control to Live Nation, the company that recently hosted the Made in America festival in downtown Los Angeles.

Although Nederlander-AEG said it would guarantee millions more in revenue to the city, Live Nation said it would spend more to renovate the 85-year-old theater over time, according to a staff analysis. The Recreation and Parks Commission wrestled with the decision at three lengthy meetings in recent weeks.

"I take this decision very seriously and I appreciate all the concerns that have been raised at these hearings," Commissioner Lynn Alvarez said. After poring over all the information, "there was nothing in there … that made me feel that there was a significant flaw in what the panel recommended."

The commission's recommendation now heads to a City Council committee, and the final contract will have to be approved by the parks commission, the council and Mayor Eric Garcetti. The new agreement to run the Greek will span 10 years, with chances to twice extend the agreement for an additional five years each.

Nederlander-AEG argued that the recommendation to choose Live Nation was rooted in faulty analysis that didn't properly account for Nederlander-AEG's spending on such things as theater upgrades and community outreach. Outside consultants commissioned by Nederlander-AEG contended that the panel evaluation was "inadequate and misleading" because of errors in comparing the bids.

The company also mobilized community support: Many longtime Los Feliz residents said they worried about added noise and other nuisances on the residential roads that lead to the Greek and pleaded to keep Nederlander in charge. Lon Wahlstrom told the commission that if it chose Live Nation, "please provide Ambien to all the people in our neighborhood so we the residents can sleep nights."

Nederlander also argued that Live Nation should have been disqualified for including a provision that would have allowed it to pay less rent to the city if legal challenges or other obstacles affected its plans. Parks officials said any agreement they reach with the company would not include such language, and Live Nation later clarified it would pay the minimum guaranteed revenue "at all times."

After the Thursday vote, Nederlander and AEG said they were "disappointed that the board did not carefully consider the overwhelming evidence" that the evaluation process was flawed. Some opponents of the decision said they planned to share their misgivings about the process with city lawmakers.

"We're going to make darn well sure that our elected politicians understand our concerns," said Chris Laib, president of the Los Feliz Improvement Assn.

Live Nation denounced Nederlander-AEG for "gross misrepresentation" of its proposals and rallied employees and others familiar with other Live Nation venues to its defense, including some Los Feliz residents. It emphasized its promised investments to update the Greek, contending that Nederlander had left the venue neglected and in disrepair.

"The fact of the matter is, is that they promised to restore the theater, bring back the columns — and then they chose not to do so," said Victor De la Cruz, an attorney representing Live Nation. Other Live Nation representatives argued that Nederlander-AEG was making a last-ditch-bid to challenge the selection process only after it had lost.

In a statement issued after the vote, Live Nation said it looked forward to "setting a new standard for this iconic venue ... while being sensitive to neighbors in the surrounding community."

The victory for Live Nation comes as new details emerge about free tickets handed out by the company to Made in America, a Labor Day weekend music festival in Grand Park downtown. The company gave Garcetti aides more than 100 tickets, which were passed out to council members and some city commissioners, according to a filing with the California Fair Political Practices Commission.

The Times previously reported that 12 of the 15 council members' offices received tickets. The Oct. 10 filing shows that Board of Public Works Commissioner Barbara Romero and Police Commissioner Sandra Figueroa also got some, along with the city's Department of General Services, the Los Angeles Tourism and Convention Board and the Mayor's Fund for Los Angeles.

Garcetti spokesman Yusef Robb said mayoral aides did not distribute tickets to parks commissioners. The face value of the tickets was $99.50 for one day or $125 for a weekend pass, according to the filing.

City ethics rules bar lawmakers from receiving gifts worth more than $100 from bidders, contractors and others with a financial stake in a city decision. Robb said city officials had not broken ethics rules because they followed an authorized state process to distribute the tickets. He rejected the idea that receiving the tickets would affect Garcetti's judgment on the Greek.

Although Garcetti worked closely with Live Nation on the festival, "the bottom line is our office works closely with both companies," Robb said, citing its work with AEG on convention center and NFL stadium plans.

emily.alpert@latimes.com

Twitter: @LATimesemily

soumya.karlamangla@latimes.com

Twitter: @skarlamangla

Copyright © 2014, Los Angeles Times
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Live Nation's bid to run Greek Theatre gets parks panel's backing

The Greek Theatre could change hands after a Los Angeles city commission recommended Thursday that another company take over running the historic Griffith Park venue, the latest step in a bitter battle between entertainment titans.

The decision could ultimately pull the theater out of the hands of the Nederlander Organization, which has run the Greek for decades. Nederlander bid jointly with Staples Center and L.A. Live developer AEG to continue operating the venue, but a panel of evaluators recommended handing control to Live Nation, the company that recently hosted the Made in America festival in downtown Los Angeles.

Although Nederlander-AEG said it would guarantee millions more in revenue to the city, Live Nation said it would spend more to renovate the 85-year-old theater over time, according to a staff analysis. The Recreation and Parks Commission wrestled with the decision at three lengthy meetings in recent weeks.

"I take this decision very seriously and I appreciate all the concerns that have been raised at these hearings," Commissioner Lynn Alvarez said. After poring over all the information, "there was nothing in there … that made me feel that there was a significant flaw in what the panel recommended."

The commission's recommendation now heads to a City Council committee, and the final contract will have to be approved by the parks commission, the council and Mayor Eric Garcetti. The new agreement to run the Greek will span 10 years, with chances to twice extend the agreement for an additional five years each.

Nederlander-AEG argued that the recommendation to choose Live Nation was rooted in faulty analysis that didn't properly account for Nederlander-AEG's spending on such things as theater upgrades and community outreach. Outside consultants commissioned by Nederlander-AEG contended that the panel evaluation was "inadequate and misleading" because of errors in comparing the bids.

The company also mobilized community support: Many longtime Los Feliz residents said they worried about added noise and other nuisances on the residential roads that lead to the Greek and pleaded to keep Nederlander in charge. Lon Wahlstrom told the commission that if it chose Live Nation, "please provide Ambien to all the people in our neighborhood so we the residents can sleep nights."

Nederlander also argued that Live Nation should have been disqualified for including a provision that would have allowed it to pay less rent to the city if legal challenges or other obstacles affected its plans. Parks officials said any agreement they reach with the company would not include such language, and Live Nation later clarified it would pay the minimum guaranteed revenue "at all times."

After the Thursday vote, Nederlander and AEG said they were "disappointed that the board did not carefully consider the overwhelming evidence" that the evaluation process was flawed. Some opponents of the decision said they planned to share their misgivings about the process with city lawmakers.

"We're going to make darn well sure that our elected politicians understand our concerns," said Chris Laib, president of the Los Feliz Improvement Assn.

Live Nation denounced Nederlander-AEG for "gross misrepresentation" of its proposals and rallied employees and others familiar with other Live Nation venues to its defense, including some Los Feliz residents. It emphasized its promised investments to update the Greek, contending that Nederlander had left the venue neglected and in disrepair.

"The fact of the matter is, is that they promised to restore the theater, bring back the columns — and then they chose not to do so," said Victor De la Cruz, an attorney representing Live Nation. Other Live Nation representatives argued that Nederlander-AEG was making a last-ditch-bid to challenge the selection process only after it had lost.

In a statement issued after the vote, Live Nation said it looked forward to "setting a new standard for this iconic venue ... while being sensitive to neighbors in the surrounding community."

The victory for Live Nation comes as new details emerge about free tickets handed out by the company to Made in America, a Labor Day weekend music festival in Grand Park downtown. The company gave Garcetti aides more than 100 tickets, which were passed out to council members and some city commissioners, according to a filing with the California Fair Political Practices Commission.

The Times previously reported that 12 of the 15 council members' offices received tickets. The Oct. 10 filing shows that Board of Public Works Commissioner Barbara Romero and Police Commissioner Sandra Figueroa also got some, along with the city's Department of General Services, the Los Angeles Tourism and Convention Board and the Mayor's Fund for Los Angeles.

Garcetti spokesman Yusef Robb said mayoral aides did not distribute tickets to parks commissioners. The face value of the tickets was $99.50 for one day or $125 for a weekend pass, according to the filing.

City ethics rules bar lawmakers from receiving gifts worth more than $100 from bidders, contractors and others with a financial stake in a city decision. Robb said city officials had not broken ethics rules because they followed an authorized state process to distribute the tickets. He rejected the idea that receiving the tickets would affect Garcetti's judgment on the Greek.

Although Garcetti worked closely with Live Nation on the festival, "the bottom line is our office works closely with both companies," Robb said, citing its work with AEG on convention center and NFL stadium plans.

emily.alpert@latimes.com

Twitter: @LATimesemily

soumya.karlamangla@latimes.com

Twitter: @skarlamangla

Copyright © 2014, Los Angeles Times
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Flawed 'Camp X-Ray' still exposes truths in war on terror

One thing director Peter Sattler gets right in the new film "Camp X-Ray" is the way life can entrap even without prison walls. Pvt. Cole, a young soldier played by Kristen Stewart, joins the Army to escape small-town Florida and ends up guarding Ali, a Guantanamo Bay prisoner played by "A Separation" star Payman Maadi. From scraps of conversation, you gather Cole was as eager to leave her home's mentality as much as the reality, only to find a different brand of small-mindedness and repression in this man's army.

It helps if you think of "Camp X-Ray" and the prison face-off between Stewart and Maadi as a cautionary conversation unfolding more like a theater production than a movie.

In their tête-à-têtes, provocative moments emerge as writer-director Sattler zeros in on the unlikely and uneasy friendship that develops between Cole and Ali.

Otherwise, the drama has a tendency to slip into stereotypes a bit too easily, military misogyny, terrorist ideology and xenophobia among them. It's not that those elements don't exist in the real world, especially in places like Gitmo where being detained as a terrorist suspect can feel like a life sentence without the trial. But by boiling too much down to black and white, "Camp X-Ray's" ability to say something significant is diluted.

Ali is shown briefly in his pre-prison days, somewhere in the Middle East readying a bunch of cellphones for something, no clue as to what, when he's caught in a sweep. Black bag over his head, in chains, he's flown to Guantanamo. He's not the leader of his cellblock; he spends his time reading, praying and resisting where he can.

Cole joins the high-security detail as part of the regular rotation of new blood. Her first real encounter with Ali is over books — she's delivering them, he's complaining about a conspiracy to keep Harry Potter's last from him. She thinks "The Prisoner of Azkaban" is an Arabic book.

With that kind of cultural counterpoint established, Sattler starts escalating the hostilities between Ali and Cole. There is what should be a deal-breaker involving watered-down filth in the face. But watching the punishment that follows, something shifts inside Cole.

The film finds its footing as their fragmented conversations expand. By laying out the arguments in bits and pieces, Sattler keeps the dialogue from overstating the case. If only the other characters were drawn with as much restraint. Instead we have a sea of mostly anonymous, screaming faces in the detainees and, on the other side, jacked-up alpha males in uniform. Sgt. Ransdell (Lane Garrison), Cole's supervisor, is a particularly nasty piece of work, especially after she resists his advances.

The director, making his feature-film debut with "Camp X-Ray," comes out of graphic design, and you can see that influence in the way he's constructed the set. The cellblock, its tight walkways hemmed in by cinderblock and steel rooms, the monochromatic look mirroring the soldiers' fatigues, does much to create a claustrophobic, minimalist vibe. Director of photography James Laxton goes in close so often it can feel like the walls are coming in.

Within the constraints, Stewart and Maadi find the right rhythms to make Cole and Ali's exchanges seem real, even Ali's slight crush — the care he begins taking to trim his mustache — are humanizing.

A locked-down soldier is a good fit for Stewart's interior acting style. The skittish looks the actress slips between hard glares or icy outrage bring a kind of understated electricity to Cole. And the impact that comes when she softens, even slightly, is first rate as she continues to evolve the further away she gets from "Twilight's" teenage Bella. But there is an edginess that flows through all of her work — especially effective as a young Joan Jett in "The Runaways" — and one hopes she'll never lose that.

Maadi is always an intriguing and enigmatic presence on screen. There's a latent scowl that gives his look a kind of mystery and possible menace even when there is nothing else to indicate it. But it is the way he uses the eyes under those brows that is so potent. Intelligence, outrage, kindness, bemusement, he delivers it all with a glance. If you haven't seen his performance as a distressed Iranian husband in "A Separation," which won the foreign language Oscar in 2012, put it on your DVD to-do list.

As to Sattler, though he stumbles in this first outing, at times mightily — the ending is too ludicrous for words — he makes room for Stewart and Maadi to build a different narrative than we're used to in the war on terror. One that allows a little understanding to creep in.

Follow me on Twitter: @BetsySharkey

-------------------------------------------

'Camp X-Ray'

MPAA rating: R for language and brief nude images

Running time: 1 hour, 58 minutes

Playing: Sundance Sunset Cinema, West Hollywood

Copyright © 2014, Los Angeles Times
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Kansas City station suggests dead body more interesting than Royals

Written By kolimtiga on Rabu, 22 Oktober 2014 | 12.18

A Kansas City news station apologized Tuesday night after it suggested in a message posted to Twitter that a dead body may be more entertaining than the Royals getting blown out in Game 1 of the World Series.

"Need a break from the game? Watch our 10 p.m. news on the latest on a body found in the Little Blue River & more," KCTV5 tweeted.

The station quickly deleted the tweet and apologized.

"We worded that previous tweet horribly and we are very sorry. It has been deleted," the station tweeted.

The Royals were throttled in Game 1 by the San Francisco Giants, 7-1.

Follow Ryan Parker for breaking news at @theryanparker and on Facebook. 

Copyright © 2014, Los Angeles Times
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Kansas City station suggests dead body more interesting than Royals

A Kansas City news station apologized Tuesday night after it suggested in a message posted to Twitter that a dead body may be more entertaining than the Royals getting blown out in Game 1 of the World Series.

"Need a break from the game? Watch our 10 p.m. news on the latest on a body found in the Little Blue River & more," KCTV5 tweeted.

The station quickly deleted the tweet and apologized.

"We worded that previous tweet horribly and we are very sorry. It has been deleted," the station tweeted.

The Royals were throttled in Game 1 by the San Francisco Giants, 7-1.

Follow Ryan Parker for breaking news at @theryanparker and on Facebook. 

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Kansas City station suggests dead body more interesting than Royals

A Kansas City news station apologized Tuesday night after it suggested in a message posted to Twitter that a dead body may be more entertaining than the Royals getting blown out in Game 1 of the World Series.

"Need a break from the game? Watch our 10 p.m. news on the latest on a body found in the Little Blue River & more," KCTV5 tweeted.

The station quickly deleted the tweet and apologized.

"We worded that previous tweet horribly and we are very sorry. It has been deleted," the station tweeted.

The Royals were throttled in Game 1 by the San Francisco Giants, 7-1.

Follow Ryan Parker for breaking news at @theryanparker and on Facebook. 

Copyright © 2014, Los Angeles Times
12.18 | 0 komentar | Read More

Galaxy and Sounders play to 2-2 tie

Written By kolimtiga on Senin, 20 Oktober 2014 | 12.18

There were tributes for the retiring Landon Donovan before and after the Galaxy's game against the Seattle Sounders on Sunday night, the Galaxy's last regular-season home game.

Donovan's favorite band, Boyz II Men, sang the national anthem. Major League Soccer Commissioner Don Garber came to help toast Donovan, the league's all-time leader in goals and assists.

And when the Galaxy took a 2-0 lead on Marcelo Sarvas' goal in the 50th minute, it appeared, at least for the Galaxy, that the celebration would be completed with a victory.

But Clint Dempsey and the rest of the Sounders, proving why they're tied with the Galaxy for first place in the MLS Western Conference, then crashed the party in front of a sellout 27,244 at StubHub Center.

Dempsey scored in the 69th minute, his teammate Lamar Neagle scored in the 72nd minute and Seattle left town with a 2-2 tie.

"We're disappointed, for sure," Donovan said.

Now the teams will finish the regular season playing each other again Saturday, this time in Seattle. And while both already have clinched playoff berths, there's still much at stake.

The outcome of Saturday's game will determine which team wins the MLS Supporters' Shield, which goes to the club with the most points, and therefore which team is top-seeded for the postseason.

Both teams have 61 points, but Seattle (19-10-4) has more wins than the Galaxy (17-6-10) that would serve as a tie-breaker. So Seattle would capture the Supporters' Shield with a win or a tie Saturday, while the Galaxy needs a victory.

And Seattle might carry an edge into Saturday's game because Omar Gonzalez, the Galaxy's star defender, got into foul trouble Sunday.

Gonzalez drew two fouls, and thus a red card, and therefore will be suspended for Saturday's game.

"That's all part of it, you often play without players," Galaxy Coach Bruce Arena said. "The next guy will step in," though he declined to say who might replace Gonzalez.

Although Seattle managed to stymie the Galaxy's top scorers, Robbie Keane, Gyasi Zardes and Donovan, the Galaxy took the lead during the one minute of extra time after the first half of regulation.

As the Sounders tried to clear the ball from their goal, the ball fell to midfielder Baggio Husidic, who drove it with his left foot from the top of the 18-yard box past Seattle goalkeeper Stefan Frei. Sarvas also scored his goal from the top of the 18-yard box.

But Seattle got back into the game in the 69th minute when a loose ball came to Dempsey and he rifled it past Galaxy goalkeeper Jaime Penedo from seven yards.

Neagle scored three minutes later on a wide-open shot from 10 yards.

"For whatever reason our energy level dropped in the second half," Donovan said.

"As frustrating as it is, we're still alive for the Supporters' Shield," Donovan said. "It's frustrating but it's not the end of the world."

Copyright © 2014, Los Angeles Times
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Galaxy and Sounders tie, 2-2

There were tributes for the retiring Landon Donovan before and after the Galaxy's game against the Seattle Sounders on Sunday night, the Galaxy's last regular-season home game.

Donovan's favorite band, Boyz II Men, sang the national anthem. Major League Soccer Commissioner Don Garber came to help toast Donovan, the league's all-time leader in goals and assists.

And when the Galaxy took a 2-0 lead on Marcelo Sarvas' goal in the 50th minute, it appeared, at least for the Galaxy, that the celebration would be completed with a victory.

But Clint Dempsey and the rest of the Sounders, proving why they're tied with the Galaxy for first place in the MLS Western Conference, then crashed the party in front of a sellout 27,244 at StubHub Center.

Dempsey scored in the 69th minute, his teammate Lamar Neagle scored in the 72nd minute and Seattle left town with a 2-2 tie.

"We're disappointed, for sure," Donovan said.

Now the teams will finish the regular season playing each other again Saturday, this time in Seattle. And while both already have clinched playoff berths, there's still much at stake.

The outcome of Saturday's game will determine which team wins the MLS Supporters' Shield, which goes to the club with the most points, and therefore which team is top-seeded for the postseason.

Both teams have 61 points, but Seattle (19-10-4) has more wins than the Galaxy (17-6-10) that would serve as a tie-breaker. So Seattle would capture the Supporters' Shield with a win or a tie Saturday, while the Galaxy needs a victory.

And Seattle might carry an edge into Saturday's game because Omar Gonzalez, the Galaxy's star defender, got into foul trouble Sunday.

Gonzalez drew two fouls, and thus a red card, and therefore will be suspended for Saturday's game.

"That's all part of it, you often play without players," Galaxy Coach Bruce Arena said. "The next guy will step in," though he declined to say who might replace Gonzalez.

Although Seattle managed to stymie the Galaxy's top scorers, Robbie Keane, Gyasi Zardes and Donovan, the Galaxy took the lead during the one minute of extra time after the first half of regulation.

As the Sounders tried to clear the ball from their goal, the ball fell to midfielder Baggio Husidic, who drove it with his left foot from the top of the 18-yard box past Seattle goalkeeper Stefan Frei. Sarvas also scored his goal from the top of the 18-yard box.

But Seattle got back into the game in the 69th minute when a loose ball came to Dempsey and he rifled it past Galaxy goalkeeper Jaime Penedo from seven yards.

Neagle scored three minutes later on a wide-open shot from 10 yards.

"For whatever reason our energy level dropped in the second half," Donovan said.

"As frustrating as it is, we're still alive for the Supporters' Shield," Donovan said. "It's frustrating but it's not the end of the world."

Copyright © 2014, Los Angeles Times
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Woman arrested after trying to enter home through chimney

A 28-year-old woman was arrested Sunday for illegally trying to enter a Thousand Oaks home through the chimney.

But first she had to be rescued: She'd gotten stuck inside.

The incident began about 5:45 a.m. when authorities received calls from residents who said they heard a woman crying at the house in the 1900 block of Woodside Drive, according to a Ventura County sheriff's spokesman.

Deputies arriving at the scene figured out that the woman, identified as Genoveva Nunez-Figueroa, was stuck inside the chimney.

Firefighters had to dismantle the chimney from the top down, removing the brick exterior and a section of the flue, said fire Capt. Ron Oatman.

"Four feet in," he said, "her hands were exposed."

But it was still rough going, so firefighters poured dish soap down the flue and sprayed in some water, Oatman said. Then, "four firefighters on the roof captured her hands and grabbed her under the arms and lifted her straight on out," he said.

The whole operation took about two hours.

Nunez-Figueroa, 28, was taken to a hospital and then booked into Ventura County Jail on suspicion of unauthorized entry of a dwelling and of giving false information to a police officer, according to the Sheriff's Department.

Her bail was set at $2,500. She is scheduled to appear in court Tuesday.

For news about crime and much more, follow @raablauren on Twitter.

Copyright © 2014, Los Angeles Times
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Young USC tight ends play catch-up in big win over Colorado

Written By kolimtiga on Minggu, 19 Oktober 2014 | 12.18

For six games, USC's tight ends were searching for some measure of trust, a little bit of rhythm to start contributing to the offense.

In Steve Sarkisian's offense, the tight end is normally a staple, but over the first half of the season, the position had almost disappeared from the passing game. Part of the problem, freshman tight end Bryce Dixon said, was that they hadn't yet earned Sarkisian's confidence.

Dixon traced it back to the loss to Boston College on Sept. 13. He dropped a touchdown pass that would have put USC ahead,14-0, and could have swung the game.

After that, Dixon said, "I don't think he fully trusted tight ends."

Except for Nelson Agholor, the best receiving options are mostly young and inexperienced, so quarterback Cody Kessler has leaned heavily on Agholor.

This week, coaches challenged Kessler to create bigger plays, and again Agholor was the favorite target. But this time, as Kessler shredded the Colorado secondary for 319 yards and seven touchdowns, he revealed a young receiving corps that, perhaps, is maturing into a more complete unit.

"Cody was spinning the ball around all day getting it to the older guys and to us too as the freshmen," said JuJu Smith, who caught four passes for 104 yards and a touchdown, including a highlight-reel catch near the Trojans' sideline.

Redshirt freshman Steven Mitchell had a late score, and Dixon added two straight USC touchdown receptions in the 56-28 USC win.

Sarkisian has a history of developing tight ends and making them a major part of the passing game. When Sarkisian was USC's offensive coordinator, Fred Davis won the Mackey Award, given to the nation's top tight end. Last year at Washington, he coached another Mackey Award winner, Austin Seferian-Jenkins.

Sarkisian inherited two veteran tight ends when he arrived at USC, but Xavier Grimble left for the NFL and Jalen Cope-Fitzpatrick was declared academically ineligible. Without them, Dixon and Randall Telfer combined for 13 catches, 188 yards and one touchdown until Saturday.

"But now that [Sarkisian] sees that once we get the ball and we can do stuff with it, get yards after our catch, he trusted us a lot," Dixon said. "He's starting to really feel us now, he's starting to really look at us, he's starting to put more plays in for the tight ends."

On Saturday, the two tight ends had a total of six catches for 43 yards and two scores. That helped diversify a passing game that at times veers toward one-dimensional. Until Saturday, USC hadn't had two 100-yard receiving games since November 2012.

Agholor and Smith both had more than 100 yards against Colorado.

Smith sprained his left thumb last week against Arizona and wore a soft cast during the game, but on his first reception, he made a diving, one-handed grab with the injured left hand.

Later, he followed a 45-yard completion with a short touchdown reception, the first of his career. He jumped up and hugged anyone near him. In the second quarter, he faked a block on a tunnel screen and fooled both cornerbacks for another 40-yard completion.

In his first collegiate game on Aug. 30, Smith went off for 123 yards, but he needed the next five games to match that total. In that span, the second leading pass-catcher, after Agholor, wasn't Smith but Javorius Allen, the running back.

When Kessler showed a willingness to throw downfield, he reignited Smith.

"That's why we recruit guys here," Kessler said. "We trust that if I am going to put it up, they are going to make that play."

Kessler is still without an abundance of options, and the receiver depth is still thin. But each week, as they gain more experience, the young pass catchers are commanding more looks and taking more pressure off Agholor.

"I have the rhythm, I was waiting for Cody to trust me," Dixon said. "I'm here all the way with Cody. Now that he catches the rhythm, we're going to have a great future."

Copyright © 2014, Los Angeles Times
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Gennady Golovkin wastes little time in beating Marco Antonio Rubio

Rising star Gennady Golovkin, the baby-faced assassin from Kazakhstan, continued his tour to boxing super-stardom Saturday night at StubHub Center.

Golovkin is the middleweight champion of the world and his opponent, probably showing a decent degree of intelligence, lasted for one round and 1 minute 19 seconds of another. Marco Antonio Rubio of Mexico took a huge uppercut, then a left-handed overhand shot. He went down, appeared to consider getting up and then appeared to say, ah, the heck with it.

He did get up just before the 10-count ended, but the referee waved him out.

Rubio, who lost any title aspirations Friday when he weighed in at 161.8 pounds, or 1.68 over the limit, said Saturday that "he's a great champion. He hit me hard, but not the hardest I've been hit. I got up, but the referee decided to stop it."

It might have been the first time that a referee, in this case Jack Reiss, stopped a fight based more on perceived lack of interest by the downed fighter than on degree of injury.

Golovkin is 32 and his rise to popularity in the United States has only been stalled by his lack of fights in the country. He is 31-0, with 28 of those victories coming by knockout. The last 18 times he has stepped into the ring, he has knocked out his opponent.

Now, he has a plan to showcase his skills in the lucrative U.S. market. His first effort west of the Mississippi drew a sold-out 9,323.

After the fight, he thanked his California fans and called Los Angeles his home. That's only slightly premature. He plans to buy a home here, his first choice is the Santa Monica area. He and his wife and 5-year-old son would spend the bulk of their time here, as well as some in their current residence in Germany.

"My son starts school next year," Golovkin said. "I want him here."

This victory, as light as it was on the competitive side, set up Golovkin perfectly for his first huge fight and huge payday. That would likely come in late spring or summer. He will fight once before that, probably in February in Europe.

The U.S. biggie after that could pit him against Miguel Cotto or Saul "Canelo" Alvarez. Golovkin's victory over Rubio positioned him as a mandatory opponent after the expected Cotto-Alvarez match in May.

Pressed immediately afterward for indications of his future, Golovkin said what he always does. Only unlike most boxers, he means it.

"I will fight anybody," Golovkin said.

He entered the ring to chants of "Triple G," his nickname. He was clearly the fan favorite, even though he was fighting a Mexican in L.A. He was also clearly the subject of fan curiosity, which is exactly what his promoters, K2, wanted.

Right now, like the venue in which he fought Saturday night, there appears to be no ceiling to Golovkin's future.

Just in case Golovkin and Rubio didn't provide enough excitement in the main event, the semi-main between Nonito Donaire and Nicholas Walters had plenty.

Donaire, a veteran from the Philippines and as popular a boxer as there is today, took an overhand right to the back of his head in the last second of the sixth round and was finished.

Donaire, already down once in the third round, tried to get up this time, but wobbled and was called out by the referee when he started to collapse against the ropes.

These were featherweights — a World Boxing Assn. super-featherweight title match — who fought like 160-pounders.

Afterward, it was a surprising love-in.

Donaire, who is 31 and been fighting pro fights since age 17, and who refused to confirm afterward that he will continue fighting, called Walters "an amazing fighter, an amazing champion."

Donaire (33-3) said he had never tried harder.

"I was at my best, but he was too big, too strong," Donaire said, "and he beat the ... out of me."

Walters, 27, is 25-0 with 21 knockouts. He is from Jamaica and carries the nickname "Axe Man," because that is the weapon he is appearing to use on his opponents as they fall to the canvas. All he needs now is a deep-throated "Timber."

He called Donaire a great champion — "a super, super fighter" — and thanked him for the fight.

He added later, "I took a really bad shot in the second round. But I'm bigger, stronger, faster and more intelligent. That's why I won the fight."

A prime example of that size discrepancy was Walters' 73-inch reach, five inches more than "The Philippine Flash," Donaire.

Copyright © 2014, Los Angeles Times
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